The Beatles in August

We’re halfway through our year-long in-depth trek with The Beatles, month-by-month, reliving their most outstanding events and observing life patterns in their days together. We’ve seen how their Aprils taught the lads to balance loss and hope. Their Junes together offered lessons in determination. And Julys, for The Beatles, were times of seeking joy.

 

Now, we come to August…a season that always, always signified great change in their paths. Sometimes the change was very good, making the rest of their year remarkable! Sometimes, the change was tragic, shading the rest of the year in somber tones. But August never swept through The Beatles’ lives without making a vast difference. Let’s take a look:

 

1960…The lads’ first trip to Hamburgy-berg — After badgering their first manager, Allan Williams, to get them a gig in Hamburg, Germany, where other Merseyside Bands (such as Derry and the Seniors) were already performing, The Beatles were finally off to the Hook of Holland and a long road ahead towards Hamburg’s famed red-light district. Getting a job on “the dark end of the Reeperbahn” in a seedy strip club, The Indra, the boys ginned out such magnificent rock’n’roll that they were quickly promoted to the better-situated Kaiserkeller. Without a doubt, the three-and-a-half months that John, Paul, George, and Pete spent in Hamburg, (yes, Ringo was there as well, but with Rory Storm and the Hurricanes) shaped them into a one-of-a-kind, blockbuster band. Playing four-to-six hours a night with only scant breaks, they developed musical acumen, stamina, and most of all, the ability to mach schau! August 1960 was a game changer for The Beatles.

 

1962…Pete leaves the band; Ringo joins Beatles; Cynthia and John wed — John had been the one obstacle in Paul and George’s plan to release drummer Pete Best and to acquire “the coolest drummer in Liverpool” in their opinion, Ringo Starr. In August 1962, with John’s attention focused on his upcoming nuptials to long-time girlfriend, Cynthia Powell, John’s bandmates finally swayed him into seeing their side of the coin. Traveling to Butlin’s Holiday Camp for a brief meeting with Ringo (Rory Storm and the Hurricanes’ talented drummer), Paul and John invited Starr to join The Beatles. And happily, his answer, was, “Yes!” By 18 August, Pete was a part of Beatles history, and Ringo was sitting at the rostrum on the Cavern Club stage. This one move changed Beatle dynamics forever as Ringo became the star of both “A Hard Day’s Night” and “Help!” and added so much whimsy, gentle humanity, and powerful backbeat to the Fab Four. The changes of August 1962 had far-reaching implications.

 

1965…The boys play Shea Stadium and meet “The King,” Elvis! — John Lennon had always vowed that “Before Elvis there was nothing.” Indeed, his earliest rock’n’roll memories involved hearing “Jailhouse Rock” on the vacillating late-night airwaves from Radio Luxembourg and on his mother’s record player. Styling his hair like “Mr. Presley” (as Mimi called him), John dreamed of making his living with the guitar as well. In fact, he set his sights on being “bigger ’n Elvis.” So, John was thrilled when The Beatles’ limo rolled up to 1174 Hillcrest Drive, Beverly Hills, for the August 1965 meeting with The King of Rock’n’Roll. Elvis, however, was not as elated. In fact, when The Beatles entered his “den,” Elvis said almost nothing to them. And ill at ease, the lads said nothing in return. Not until Elvis announced that if The Beatles didn’t want to talk, he was going to bed, did the ice break. Over drinks and pizza, they discussed everything except the fact that these “jokers” had stolen “the king’s thorny crown.” For several hours, they were just musicians, sharing their mutual talents. Journalist Ivor Davis, who was present that night, shared his vivid experiences with us at the Virtual Fest for Beatles Fans. If you missed the Fest, you can hear Ivor take you back to August 1965 here:

 

1966…The Beatles deal with John’s “Jesus” comments and decide to cease touring — In the angry backlash of John Lennon’s completely out-of-context comments about The Beatles being “more popular than Jesus” printed in Datebook magazine, The Beatles arrived in America for their 1966 North American Tour. None of the boys — well, with the possible exception of Paul — were eager to tour anymore. George, especially, hated going on the road. But faced with Beatle burnings, angry protest placards, and the public expectation that John would apologize at every single press conference along the tour gamut, the boys felt anything but happy. It was with great relief for George Harrison, then, that at the close of the boys’ San Francisco concert in Candlestick Park, he could announce, “That’s it! I’m no longer a Beatle!” The days of touring were certainly over. And the “new Beatles” — a studio group — would take a completely different direction from the exuberant, bow-at-the-waist, aim-to-please stage band. August 1966 was clearly the end of an era.

 

1967…The Beatles meet the Maharishi but lose Brian — Whilst The Beatles were off in Bangor, North Wales, listening to words of wisdom from the Maharishi Mahesh Yogi, their beloved manager, Brian Epstein, died from an accidental drug overdose. And as soon as the boys heard the tragic news, they realised that this monumental loss signaled a permanent change in who they were and who they would become. Brian had not only been their manager — he was, in many ways, a “dad” to them. He was their advisor, friend, and biggest fan. Brian had stood in the wings of almost every concert, television show, and interview they’d ever done. While managing a huge stable of NEMS artists, Brian had always, always (according to both Tony Barrow and Ray Coleman) put The Beatles first. From 9 November 1961 on, The Beatles had claimed Brian’s heart. August 1967 touched all of The Beatles’ lives in an irrevocable way. No one would ever begin to replace Brian Epstein. It just wasn’t possible.

 

Without a doubt, over and over again, events in The Beatles’ Augusts were milestones…they were directional occurrences, moving the four friends down one important path after another. This month, our Fest Family defeated the isolation of CoVid-19 to “come together” at the Virtual Fest for Beatles Fans. And it was so successful that we’re planning to do it again in October for John Lennon’s 80th birthday. Although we will ALWAYS want to gather together physically, we saw the huge success of our virtual fest as a road sign, pointing us to the future…and reminding us that, no matter what happens, we will always be connected. Like John, Paul, George, and Ringo, in many of these pivotal moments, we will always find a way to SHINE ON!

Share

The Beatles in July: Producing Joy

With a reputation for an unequaled “work ethic,” The Beatles were also cognizant of the considerable worth of play. Their six-hour-gig Hamburg days were laced with equal amounts of raucous fun. And their lengthy North American tours included opportunities to fish, drive race cars, ride horses, meet celebrities, party around the pool, and take in films with Hollywood stars. Their most serious of Beatles recording sessions regularly included an oldies jam or two, plenty of “inside quips” and jokes, and their fair share of laughter. The boys never forgot to sleep, read, take in the arts, and refresh themselves with “mini-breaks” (short holidays). For some reason, most of The Beatles’ inspirational moments and occasions to celebrate occurred in their Julys together. Let’s look in…

 

July 1964

 

In 1964, the lads donned their finest and kicked up their heels at the London and Liverpool premieres of “A Hard Day’s Night.” in London, after the film opening, the boys partied with their parents and significant others in the elegant Dorchester Hotel. And in Liverpool, motoring slowly through a 12-mile, 8-row-deep crowd of adoring Scousers (including John’s lifelong mate, Pete Shotton, and Paul’s school master, Dusty Durbin), The Beatles were awarded the keys to the city at Town Hall. In a throng unrivaled in fervor, the Liverpool boys were welcomed home. That evening, at the Northern film screening, John called out from the stage, asking where his family was seated. Once the various Stanleys were located and greeted, he smiled broadly and permitted the ceremonies to commence. These were giddy, happy days for John, Paul, George, and Ringo as the fruits of their labors paid off in critical acclaim and box-office gains. Having worked “liked a dog” all spring on the film, The Beatles’ smiled, waved, and enjoyed the show!

 

Then, just for fun, the boys performed an aerial ballet at the Palladium’s “Night of a Hundred Stars.” Instead of showcasing and promoting their latest hits, the Fab Four were hoisted in mid-air where they cavorted for a delighted crowd. July 1964 was, indeed, a time of frivolity…and all of it was well-deserved.

 

July 1966

 

During The Beatles’ residency in Japan, the four decided to spend their off-stage moments creating a large collage, with each Beatle creating one part of the whole. Having studied at Liverpool College of Art, John’s segment of the piece, “Four Images of a Woman,” was superb, and the other Beatles were enthralled by the work as well. Photographer Roger Whitaker, watched the boys collaborating on the project and exclaimed, “I never saw them calmer…they were working on something that let their personalities come out! I think it’s the only work they ever did together that had nothing to do with music.” Whitaker observed that the collage — so foreign to what The Beatles did normally — truly rejuvenated them. He reflected that The Beatles didn’t even play music or talk as they painted; they concentrated in silence. “They’d stop,” he remarked, “go do a concert, and then it was, ‘Let’s get back to the picture.’” In the midst of a hectic, pressing tour, the four made time to unwind.

 

July 1967

 

On a mad whim, The Beatles jetted off together, on holiday in Greece. They chartered a yacht and following the coast of the mainland, spent their days island hopping. Accompanied by Mal, Neil, and several others, the boys danced, laughed, and attempted to buy an island together, in hopes of creating a “Beatles paradise.” Although Brian thought the purchase a ridiculous notion, The Beatles located a plot of land and initiated purchase negotiations. Yet before “t’s” could be crossed and “i’s” dotted, paperwork-wise, the four friends were back in England and back at work. Sadly, the island project fell by the wayside. However, the freedom and passion the lads had enjoyed during their “search for the illusive Eldorado” (see the poem by Poe) had rejuvenated them all for the days ahead.

 

July 1968

 

By July of 1968, tensions were challenging John, Paul, George, and Ringo, both as a group and individually. John was under fire from the press for his relationship with artist, Yoko Ono, and Paul had been shockingly seen in public without Jane Asher. Rumours flew. That’s when a moment of sheer fun stepped in to save the day! The cartoon film, “Yellow Submarine”, was completed, and to satisfy the press, a small launch party was hosted at Bowater House, in the Knightsbridge section of London. Paul, George, and Ringo were on hand, finding great relief in the opportunity to chat and smile. Then, mid-month, (17 July) all of the boys enjoyed the “all-stops-out” London premiere of “Yellow Submarine” in Piccadilly Circus. The gala was reminiscent of the “Hard Day’s Night” and “Help!” premieres, in happier times. Indeed, as The Beatles rolled up in their limousine, Beatlemania erupted — full-scale! — once more. The crowds and the boys were mutually elated. For a moment, the magic was back.

 

As far as I know, none of The Beatles (not even voracious reader, John) were fans of American poet, Walt Whitman. But had they been, I think they would have admired his quote: “Do anything, but let it produce joy.”

 

Having fun with their talent was always foremost in The Beatles’ minds, and when an endeavor — such as touring — ceased to be fun, they discarded it. Even during the Let it Be sessions, you can watch the four friends having fun…singing the old Cavern songs, dancing, and making each other laugh. They knew how to find joy in the grubbiest places, worst circumstances, and most trying times.

 

All of us have been enduring extremely grim conditions for months now. We’ve struggled and bravely, we’ve forged on. But with what is left of July, let’s agree to join John, Paul, George, and Ringo in finding a bit of fun. Let’s take a break in the midst of our masterpieces, cautions, and concerns…and for just a moment, “Let it Be.” Smile, walk, paint, party, sing, sail, dream…and perhaps, even buy a frivolous island or two. Do anything! But let it produce joy!

Share

The Beatles in June: Shine On

::: By Jude Southerland Kessler :::

 

As we, here at the Fest, continue our look at The Beatles in their months together, we wish you all peace…not only globally, but locally. The traumatic stresses of disease, isolation, financial loss, injustice, and violence have shaken us all over the last sixty days. We face a world filled with need, fear, anger, and resentment. As we walk through June 2020, what can we learn from The Beatles in four of their Junes together? What advice might they silently offer us? Let’s find out…

 

June 1964 – After 13 long days absent due to illness, Ringo was finally prepared to rejoin The Beatles’ first World Tour. Collapsing amidst a photo shoot on 3 June, he’d endured a nasty bout of tonsillitis and 11 days in University College Hospital, London. Now, however, Starr was suited-up to fly Pan Am from London to Australia to reconnoiter with his Liverpool mates. During Ringo’s absence, Jimmie Nicol (an excellent drummer in his own right, who very fortunately knew all of The Beatles songs and wore Ringo’s exact suit size…see The Beatle Who Vanished by Jim Berkenstadt for more info) had been standing in (er, sitting in) for Starr in Holland, Hong Kong, and Australia. And so, for one brief day on 14 June…there were myriad publicity photos of The Beatles with two drummers! But right away, Richard Starkey was back on the podium, banging away and flashing his winning Scouse grin. His throat was still a bit ragged but his humour was intact. When a reporter asked him, “Do you think your tonsillitis might change the group’s sound?”, Ringo chortled and said, “Only for a few days when I can’t sing…if you can call it singin’!” And the Fab Four were reunited.

 

June 1966 – June was always Brian Epstein’s “month of choice” for World Tours. And 1966 was no exception to that rule. On 23 June, The Beatles left London Airport in Heathrow bound for Germany…the country where they’d cut their teeth as teenagers, performing in Hamburg. Their first night in Hamburg — August 1960 — the four Beatles (with Pete Best as their drummer) played to 6 very disappointed male customers who’d strolled down to the dark end of the Reeperbahn to see strippers — only to find 4 singing British boys instead! Somehow, The Beatles won over even those reluctant patrons, and in just a few weeks, the lads were so popular that they were promoted to a much larger venue: the Kaiserkeller. Now, two years later, John, Paul, George, and Ringo were billed as headliners in the stately halls of Munich and Essen, and tickets sold as quickly as they were printed. One reporter, disdaining the price of admission, callously asked John Lennon, “If you had to buy a ticket for your own performance how much would you pay for it?” John, in typical Lennonesque fashion, swiftly returned, “Oh, we know the manager, so we get in free.” The charm that had courted reluctant punters way back in 1960 was still very much alive.

 

June 1967 – Done with touring forever, June of 1967 held not a World Tour this time, but a worldwide event! The Beatles had been chosen to represent Britain in the prestigious 25 June One World television special, slated to be broadcast live via satellite to 400 million viewers on 5 continents. And the song they’d selected to sing was truly, as Brian Epstein observed, “spine-chilling…the best thing they’d ever done.” It was, of course, John Lennon’s “All You Need is Love,” written specifically for the momentous affair. On 21 June, the boys began working on this landmark song in studio. Heads together as one, they prepared the anthem of peace, eager to send it out to a world heavily laden with the Vietnam conflict, Civil Rights unrest, military coups, wars, and entrenched divides. With a deep longing for concord, the boys tried to convey a simple message that would speak to all nations. As John later said, “It was a fabulous time…peace and love, people putting flowers in guns.” But as The Beatles, that night, focused globally and not locally, none of them realised that evening, that 21 June marked the very last time that Brian would ever be with them as they created in EMI. A pivotal moment went unnoticed.

 

June 1968 – After weeks and weeks of severe depression following John’s separation from Cynthia and from his son, Julian…weeks in which John Lennon actually contemplated suicide, the end of June 1968 found him finally rebounding with a new zest for life, as he prepared his You Are Here art exhibit slated to open on 1 July. The theme of the show was new beginnings and rebirth. As John and Yoko planned to dress entirely in white, to release 365 balloons to the world containing hopeful messages, and to zero in on John’s newly focused avant garde artiste side rather than his rocker image, “original” was the order of the day. John was, in effect, “starting over,” initiating a new life with a new lady at his side and a new message of peace. After months of agony, John had found a way to move forward.

 

You know, just when we think we’re alone in our struggles, we find it: the very mirror image of our griefs in the lives of John, Paul, George, and Ringo. The burdens we face, they faced. Every one.

 

Illness. Ringo’s ongoing struggles with health began early in life as he spent a myriad of formative years in sanitarium healing from the after-effects of a ruptured appendix and peritonitis. Then later, at age 13, he was back in hospital and long-term care again with complications from pleurisy and “effusion on the lung.” Even as a young adult, Ringo was frequently niggled with severe tonsillitis until he finally underwent surgery in December 1964. Yet rarely, if ever, do we hear Ringo complaining about the lost years in school with friends of his own age. Rarely does he moan over the lost days and weeks he might’ve spent with his family or the isolation of sanitarium life. Instead, he talks about the nurse who supplied him with a drum and the positive outlook those years gave him. To quote Hunter Davies in The Beatles, “[Ringo] never remembered himself unhappy. He thinks he had a good childhood.” (p. 148) Hmm!

 

Criticism. No one faced more venom from the press and public than The Beatles did. At first, journalists were gleefully “on board,” promoting and praising the British phenoms. But by late 1964, the press was hungrily seeking a chink in the Fab Armor. They were whispering about “Beatle dissention” and possible break-ups, about the Lennons divorcing, about unfair ticket prices and unkind treatment of the fans. The Beatles lived in a fishbowl, always under scrutiny. And for the most part, (yes, there were days when the boys, too, were resentful) they faced it all with humour and wit. Under adversity, The Beatles endured.

 

Global darkness. 1967’s grim world must have seemed unbearably oppressive to our boys. By June of ‘67, 448,800 young souls had been lost in Vietnam. June race riots in Detroit left 43 slain.  Marches on Washington and rampant U.S. draft card burning events filled the headlines. In June, the Six Day War erupted in the Middle East, and the Nigerian Civil War boiled over in July. Turning their eyes globally, the boys might have missed the joys at their very elbows: the singular gift of a night in studio with their devoted manager, Brian Epstein. They might have been so intent on speaking out to a hurting world that they failed to treasure the simple and fleeting joys given to them, so close at hand. In this, too, there is wisdom for us to gather.

 

In each of these instances, The Beatles remind us to move forward…to keep reinventing ourselves, to keep pushing ahead. If one life phase subsides, then we can emerge into “Something New.” If the world threatens to overwhelm us, we can turn to those we love at hand. If we are heavy-laden, we can seek humor, music, faith, and friendship. We can work it out.

 

The Beatles never ever had a day without enormous obstacles to overcome: family losses, health challenges, public criticism, unrelenting work schedules. Yet, by simply putting one foot in front of the other, they kept going. It is a phrase we Beatles fans repeat without really thinking about it…but this month, we must make it our mantra: Shine On. You can do this, one step at a time. Shine on!

Share

The Worst of Times, The Best of Times: The Beatles in Their Aprils

::: By Jude Southerland Kessler :::

 

Our 2020 Fest Blog continues to look at The Beatles’ days together, one month at a time. This month, there is an important lesson for us all on how John, Paul, George, and Ringo dealt with April…

 

 

April 1962: April 1962 was, without a doubt, the worst that John Lennon would ever experience: a dark and tragic month well-deserving of T. S. Elliot’s “April is the cruelest month” label. After being separated from his “brother,” his soul mate, Stu Sutcliffe, for three months’ time (whilst The Beatles rocked England and Stu studied art with Eduardo Paolozzi in Germany), John and Stu were to be reunited. Full of happy anticipation, The Beatles landed in Hamburg, Germany on 11 April for the happy “coming together” of these two fast friends. But instead of being greeted by Stu at the airport, John was greeted by Stu’s fiancée, Astrid Kirchherr — whose face was grim. She was meeting The Beatles to inform them that Stu had died of a brain hemorrhage, less than 24 hours before their arrival. John had just missed saying goodbye to his closest friend, just as John had lost his beloved Uncle George in 1955, without a chance to say goodbye…and his mother, Julia, without a final word in 1958. Now, Stu was gone as well.

 

For John, it was utterly overwhelming. He collapsed into tears and hysterical laughter. And he spent the ensuing month, inebriated and completely out of control. One evening found him on stage, wearing a toilet seat around his neck. And one early morning found him in the Hamburg streets, wearing only his underwear and cap — perusing the morning newspaper.

 

April 1962 seemed a place from which there was no recovery. And truly, in the years ahead, the other Beatles knew better than to mention Stu’s name in conversation. It summoned a darkness that didn’t lift for days. John never totally recovered from the loss of his best friend. But somehow, life did go on. And despite the crushing grief of 1962, John’s future did grow brighter. He found a way to put one foot in front of the other. And he did survive.

 

April 1964: Only 700 days later, John was not only on his feet again, but he was being fêted at London’s elegant Dorchester Hotel as the most acclaimed author in Great Britain. His first book, In His Own Write, was not only selling millions of copies but also surprisingly being heralded by critics as remarkable. Lennon’s mixture of bizarre poetry and prose was favorably compared to Lewis Carroll, James Joyce, and Edward Lear. Thus, John — as Foyles Bookstores’ Literary Award Winner — was asked, on Shakespeare’s 400th birthday, to deliver the annual address to the learned world.

 

But “The Smart Beatle” — though comfortable singing on stage with his mates— was extremely ill-at-ease when delivering a public speech. So, he turned the obligation over to his manager, Brian Epstein.

 

However, we all know that if things can go wrong, they will, and through a series of simple misunderstandings, John was very publicly called upon to deliver that postprandial speech himself on that celebrated day. Mortified, John stood and fumbled his way through the brief words that a Liverpool beggar mutters when he’s given a handout — something that he doesn’t feel that he deserves. “Thank you very much! You’ve got a lucky face!” John eked out. Then, he quickly sat down to a wave of “boos” and hisses. Quite fortunately, Epstein was permitted to stand and deliver the speech for John. And in the end, as the birthday boy once said, “All’s well that ends well.” The mishap was righted.

 

Most of April 1964 was filled with eventful and happy moments…with awards, #1 hit records, the making of “A Hard Day’s Night,” and far too many honors for The Beatles to mention here. Beatlemania was at its intense apex. And the dark days of 1962 were, for the most part, only a memory. Good had returned, in force, to The Beatles.

 

April 1965 – One year later, The Beatles were the undisputed Kings of the World. They spent the early part of April in Austria, filming scenes for their second United Artists’ movie, “Eight Arms to Hold You,” later known as “Help!” The boys had already recorded a good bit of the film’s soundtrack, but they were working on other songs. John was publishing his second book of poetry and prose, A Spaniard in the Works. And at the end of the month, The Beatles were in London’s Twickenham studios, finishing up their film. In between time on the movie set, John, Paul, George, and Ringo were doing interviews for the BBC and looking ahead to yet another World Tour. The Beatles were busy, productive, and engaged. The shadow of April 1962 only fell, now and again, on John. The rest carried on.

 

April 1969 – John had at last found a new soul mate, a partner he loved as deeply as he’d loved Stu. He had fallen for Japanese artist, Yoko Ono, and on 1 April, the couple returned to London after their much-publicized Amsterdam honeymoon “Bed-in for Peace.” Whilst privately wondering if John had “gone mad,” the press welcomed the newlyweds back with unexpected gusto. This, of course, inspired John to write “The Ballad of John and Yoko,” which Paul would (in May) help John record in studio. It would be one of their last happy collaborations, as The Beatles stood on the brink of solo careers. In just a few weeks, Ringo would begin filming “The Magic Christian” and George would fly off with Pattie Boyd to Spain, but in April, the boys were still The Beatles…one last time.

 

The great loss of Stu Sutcliffe in April 1962 colored John’s life, to be sure. And Stu was never forgotten as John penned “In My Life” and faithfully lived out Stu’s suggestion that The Beatles be “a work of art and not just a band.” But though Stu’s death was a tremendous tragedy, it was not an end. Happiness waited patiently ahead.

 

As all of us are struggling through this horrific month of illness and economic crisis, once again The Beatles show us that there is a future after disastrous times. Their story reminds us that there will surely be moments in the days ahead when we will once again achieve, create, spend time with friends, and live normal lives. Not even the shadow of death can defeat us.

 

We can all shine on. And we must…


Jude Southerland Kessler is the author of the John Lennon Series: www.johnlennonseries.com

Jude is represented by 910 Public Relations — @910PubRel on Twitter and 910 Public Relations on Facebook.

Share

Genius Having Fun: The Beatles in March

::: By Jude Southerland Kessler :::   Spring brings out childlike wonder and joy in all of us. We walk into the sunlight and marvel at exotic Japanese magnolia blossoms brashly defying winter’s last ice storms. We gasp in delight over surprising fields of yellow daffodils. We search for four-leaf clovers but find our truest fortune in the re-energized work we do, now that dark days have become light and fresh again.   The Beatles felt this. In five March calendars together, they were especially creative. They starred in films, wrote books, appeared on radio and television programs, and of course, created magical music that still plays in our homes and falls from the lips of our children and grandchildren. Invigorated each spring, The Beatles tended to greet March with an enthusiasm that found its way into archetypal creativity. For example…   March 1963…Fresh off the Helen Shapiro Tour (which had run from 2 February – 3 March), the boys gathered in EMI’s Studio Two on Tuesday, 5 March, to record the jaunty, “From Me to You,” a song that had been inspired by a newspaper column which John and Paul had spotted on the Shapiro tour bus. In studio, the ever-brilliant George Martin gave the number a very singular sound when he recommended that the boys sing rather than play the song’s “da-da-dum-da-da-dum-dum-da” intro. But “From Me to You,” wasn’t the only product of that creative date. The lads also recorded “Thank You, Girl” and “The One After 909.” “From Me to You,” however, was clearly the stand-out. An instant hit, it was throughout 1963, an important part of the lads’ catalogue. In fact, it was the opening song the night that The Beatles “rattled jewelry” at the Royal Command Performance, six months later.   March 1964…The Beatles began making their first film for United Artists, “A Hard Day’s Night” on Monday, 2 March 1964. Now, one would think that making a full-length feature movie and creating the soundtrack LP would be task-enough for John, Paul, George, and Ringo, but throughout the month, they were busy here, there, and everywhere. On the 19th, for example, they spent their lunch hour at London’s Royal Dorchester Hotel receiving the Variety Club Silver Heart award for “Top Show Business Personalities of 1963,” an honor presented to them by Prime Minister Harold Wilson. And that night, instead of going home when the other actors called it quits, they hurried to tape an appearance on Britain’s #1 pop TV show, Top of the Pops. The very next evening (in their spare time, after filming), the boys performed on the hit television programme, Ready, Steady, Go! (Deep Breath!!!) And of course, in addition to all of this, John Lennon also released his first book, a volume of prose and poetry entitled In His Own Write. What can I say? The Beatles’ well-lauded creativity was, in March 1964, both on and off-the-charts!   March 1965…Again, it was film-making season for the Fabs, but this time, in ’65, the United Artists’ film was “Eight Arms to Hold You,” eventually dubbed “Help!”. First, filming in Nassau for a fortnight, the boys flew home on the 10th, only to regenerate quickly and head out once again. Three days later, accompanied by newlywed, Maureen Starkey, and John’s wife, Cynthia, the boys were en route to Austria. During their time in the breathtaking Alps, John completed an extremely biographical song he’d begun at Kenwood, a number entitled “It’s Only Love.” Depicting his increasingly rocky relationship with Cynthia, this offering revealed so much of John’s vulnerability and tenderness that ever-after, he despised it. Paul told the press that John rarely let people see his soft side: “I’ve only seen him through the cracks in his shell because the shell is so hard.” But “It’s Only Love” so laid bare John’s love for his wife and their mutual struggles, that in the years to come, John would never have a good word to say about the revelatory song. In emotional and imperfect lyrics, it had too closely captured Lennon’s wounded heart.   March 1967…Wearing ponchos, flowered “kecks,” and National Health glasses, the boys were truly in creative heaven, working away in EMI Studios, on Sgt. Pepper’s Lonely Hearts Club Band. On 1 and 2 March, they worked for hours on John’s “Lucy in the Sky with Diamonds.” Then, on the 9th and 10th, they gave their attention to Paul’s “Getting Better All the Time.” And on the 15th, they began work on George’s “Within You, Without You.” But in every period of intense, unfettered creativity, there is always an inherent edge and potential danger. And 21 March 1967 was one of those experimental evenings that could have ended tragically. John, having taken LSD for inspiration, was feeling unwell and excused himself from Studio Two. Hoping to help John recover (and oblivious to the reason for John’s discomfort), George Martin followed him out and suggested climbing to the EMI rooftop for fresh air. When, moments later, Paul and George saw Martin return without Lennon and discovered where their friend was recuperating, they tore out after him…realising that the roof had no rails or barriers against a sheer, 30-foot drop to the ground. Fortunately, when they scrambled — breathless — onto the top deck, John was simply standing and staring at the night sky. But the boys were so thoroughly rattled that they concluded their recordings for that evening then and there. Creative inspiration had engendered a close call.   March 1968…Out of devotion to his mates, Ringo (and his wife, Maureen) agreed to go along with the others to the Maharishi Mahesh Yogi’s ashram in Rishikesh, India, for a soul revival. But after only 10 days abroad — hating the “Butlin’s holiday camp” life of the Ashram — the Starkeys gave the others their regrets and flew home. Twenty-five days later, on 26 March, after having worked prodigiously with John on a plethora of songs that would populate the White Album, Paul and Jane Asher flew back to London, accompanied by Neil Aspinall…and leaving only John and Cyn, George and Patti, and Alex Mardas behind. Although this excursion failed to end particularly well (if one knows the backstory of “Sexy Sadie”), March 1968 was undeniably a time of immense creative genius for The Beatles. Having the rare opportunity to rest, talk, write music, and have furtive fun together (when the Maharishi wasn’t looking), the boys created magical songs for the finest LP they’d offered the public in quite some time. Indeed, John alone wrote enough tracks for the White Album to have his own solo LP. The “Leader Beatle,” who had sadly relinquished his role in Sgt. Pepper and Magical Mystery Tour was back. They all were…in a flood of bright, spring sunlight that blended dramatically into pure White.   Albert Einstein once said, “Creativity is genius having fun.” And certainly, no group of people bear this out better than The Beatles. During the March months of their lives, they starred in award-winning films (creatively ad-libbing many of the famous lines), wrote and illustrated books of poetry and prose, composed and recorded music, starred on television and radio programmes, and sought new horizons of faith. But for the lads, ushering music, art, and literature into the world was never a job or a chore! It was always the product of the happiest moments of their lives. And may it be so, this month, with us as well. Shine on!
Jude Southerland Kessler is the author of the John Lennon Series: www.johnlennonseries.com Jude is represented by 910 Public Relations — @910PubRel on Twitter and 910 Public Relations on Facebook.
Share

A Month in the Life

::: By Jude Southerland Kessler :::

 

“If you have built castles in the air… that is where they should be…now, put the foundations under them.”

Henry David Thoreau

 

In this second installment of The Fest Blog’s study of The Beatles’ time together, month-by-month, John Lennon Series author, Jude Southerland Kessler, examines what the lads did during 5 fab February’s. As we walk winter’s weeks together, what can we learn from John, Paul, George, and Ringo? And how can that change the course of our own lives?

 

February 1963 – During one of the coldest U.K. winters on record, the shivering Beatles set out on tour with lovely, little Helen Shapiro, playing dank theatres and music halls in a concerted effort to propel their names and songs to the British public. But on the 11th, they took one day off from their rigorous schedule to race down to London, where they would record their very first LP, Please Please Me. With brilliant producer George Martin at the helm, alongside engineer, Norman Smith, and second engineer, Richard Langham, the boys — desperately ill with colds and flu — began work around 10 a.m. First, they recorded several fondly familiar songs from their old Cavern Club days. Then, as the morning gave way to afternoon, they tackled original tunes for this LP that Epstein hoped would propel his lads to the top of the charts. In the autumn of 1962, The Beatles had had a hit with “Love Me Do” and a Number 1 with the new LP’s title song, “Please Please Me.” However, to maintain that momentum, now they had to produce a host of songs proving their versatility, creativity, and star power. And they did! In only 12 hours, John, Paul, George, and Ringo produced a record that would stand the test of time. And when, at 10:30 p.m. that night — weary and shaking with fever — John Lennon tackled the performance of “Twist and Shout” for the pot-boiling close of the record, he gave history one of his finest tracks…in only one take! The LP was complete. Never had a group compiled a record of such magnitude in only one day. The Beatles had worked their way into stardom.

 

February 1964 – Landing at John F. Kennedy Airport to ecstatic screams that eclipsed jet engines, The Beatles stepped onto American soil on 7 February 1964, and began “The British Invasion.” In only two days, they were slated to play The Ed Sullivan Show. And despite the fact that George Harrison had contracted flu, the four “mop-tops from Liverpool” rose to the occasion. On Sunday night, 9 February, they sang into the cameras for the largest television audience in history (at that time), and instantly, their names became both legendary and household. Then, moving rapidly by train to Washington D.C.’s exhilarating Coliseum-in-the-round performance and up to the Big Apple’s fabled boards in Carnegie Hall, The Beatles made history! Without stopping to breathe, they flew on to sunny Miami for two more Sullivan appearances, while wooing the U.S. public via press conferences, interviews, photo opportunities, and phone chats with a plethora American DJ’s. In 14 days, The Beatles did the work of months, and then nearly exhausted, they winged their way back home to begin filming the oh-so-aptly-dubbed “A Hard Day’s Night.”

 

February 1965 – One thinks of the exotic Bahamas as a vacation locale, but in Feb 1965, The Beatles landed in Nassau to off-the-chart screams for the making of their new United Artists’ film dubbed “Beatles 2” and later, “Eight Arms to Hold You,” and finally, “Help!” Rising daily at 6:30 a.m. for hair and make-up, The Beatles worked on set from 8:00 a.m. to 5:30-6:30 p.m. each day, and in the evenings, frequently gave interviews to journalists such as Larry Kane, Derek Taylor (who, in 1965, was with KRLA, Los Angeles), Long John Wade, and others. John Lennon, additionally, was completing the work on his second collection of prose and poetry, A Spaniard in the Works. Prior to winging their way to the Bahamas, the boys had spent hours recording many of the songs for the film’s soundtrack, but additional work was yet to come. So, taking full advantage of their few nights off, the lads enjoyed a bit of time with Jim and Angie McCartney and their daughter, Ruth, and with George’s sister, Louise — all of whom were on location. As always, however, industry ruled the day. Even in paradise, The Beatles were working.

 

February 1967 – It wasn’t just another “Day in the Life” when, on 10 February 1967, The Beatles oversaw the orchestral recording of the final bars of the final song of their new LP, Sgt. Pepper’s Lonely Hearts Club Band. That evening, 40 classically-trained musicians arrived at EMI Studios, Studio One, to take part in the cataclysmic close to a song that frequently is listed as the best in The Beatles catalogue. Instructing the gifted musicians that he wanted “a musical orgasm,” producer George Martin requested a sound that gradually ascended and intensified before crashing in an E major chord…a sound burst. Throughout February’s weeks, the lads had been working diligently in Studio Two, recording various other songs for the LP (including the title track) and creating videos in Knole Park for their upcoming single, “Penny Lane” and “Strawberry Fields.” But on the 10th, with Paul McCartney and George Martin alternately conducting the small “Day in the Life” symphony (gathered in what would eventually be known at “Abbey Road Studios”), another musical moment in time was captured forever, compliments of The Beatles.

 

February 1969 – January had ended with a rooftop concert that was, for all intents and purposes, the swan song of The Beatles. So, February was for all four boys, a time of re-invention. Ringo began work on his new solo project — a film with Peter Sellers entitled “The Magic Christian.” John, knee-deep in various avant garde happenings and recordings with Yoko, took time out to return to London’s Trident Studios to record “I Want You (She’s So Heavy)” for what would eventually be the Abbey Road LP. George Harrison, in a bit of personal maintenance, had his tonsils removed at University College Hospital, London, but later in the month, he returned, full-throated, to EMI to record demo tapes of “Something,” “Old Brown Shoe,” and “All Things Must Pass.” Still infuriated by the late-January suggestion by John, Ringo, and George that Allen Klein should manage Apple and 20 percent of their personal incomes, Paul took immediate steps to ensure that the firm of Eastman and Eastman were appointed as Apple’s General Council, carefully supervising Klein’s management. However, Paul and Linda still found time to attend the release party for Mary Hopkins’s first LP (which Paul had produced), Postcard. In February 1969, each of The Beatles was discovering his new métier, and without a moment’s rest from the demands of Beatledom, they were exploring their chosen horizons.

 

The one quality that always distinguished The Beatles from other groups was their unfailing willingness to get up early, work late, give more than expected, and produce more than anticipated. They were, in short, driven. Their Februarys together bear this theme out, again and again. The Beatles never once shied away from rolling up their custom-made shirtsleeves to build “castles in the air” from rough brick and real mortar. They created enduring edifices by demonstrating to us all that lasting dreams require unflinching dedication and industry.

 


Jude Southerland Kessler is the author of the John Lennon Series: www.johnlennonseries.com

Jude is represented by 910 Public Relations — @910PubRel on Twitter and 910 Public Relations on Facebook.

Share

What The Beatles Found in January

::: By Jude Southerland Kessler :::

 

Ever kept a five-year diary or calendar? No? Well, if you’d like to (as we used to say in The Sixties) “find yourself,” you might try it. The practice is highly touted by self-help experts and counselors because it helps to reveal trends and patterns we display seasonally, monthly, and even at similar times of the day. Journaling over a decade reveals even more about how we react to light, weather, seasonal stresses, and yearly events. Studying a record of what we do, year-in-and-year-out, highlights so much about our personalities.

 

Now, The Beatles didn’t journal…well, not that we know of…yet. But their day-by-day actions from 1964-1969 were highly chronicled. And studying their undertakings, month-by-month, is not only interesting, it’s informative. So, throughout 2020, the Fest Blog would like to take you on a month-by-month glance back at some of the most outstanding events of each month during The Beatles’ time together, beginning, of course, with some of The Beatles’ Januarys together.

 

January 1964…On 16 January, The Beatles endured a rather rough opening night at the Olympia outside Paris. Their amplification equipment failed three times! The audience, comprised mostly of young men (since teenage girls would have required chaperones to attend an evening performance away from home), was yawningly unimpressed and disappointingly unresponsive. John, Paul, George, and Ringo trudged “home” to the Hotel Georges Cinque in an umber mood. But waiting for them was a change of disposition: Brian held a telegram announcing that in the week ahead, “I Want to Hold Your Hand” would chart at Number 1 on the U.S. Cashbook hit list! Utterly phenomenal! And just in the nick of time, too: The Beatles were booked to fly into New York City on 7 February for a three-week tour. Cheering and cavorting, the elated Liverpool lads were filled with hope that soon they’d claim “the toppermost of the poppermost.”

 

[Note: A long-held legend states that The Beatles had vowed not to appear in the U.S. unless they had secured a Number One, and this good news gave them the “green light” to journey on to The States. Well, the truth is, The Beatles were already booked to appear in America on three Ed Sullivan shows, whether or not the Number 1 slot was attainable. Brian had arranged the trip back in autumn of 1963. So, the Paris telegram was truly a bit of happy serendipity! Good fortune to begin the year.]

 

January 1965 – John and Cynthia, George Martin and his girlfriend, Judy Lockhart-Smith, flew to St. Moritz, Switzerland for a few days of rest and relaxation, following the close of “Another Beatles Christmas Show” in the Hammersmith Odeon, London. One side goal of the Swiss trek was to give John an opportunity to learn to ski, since in just a few weeks, he would be filming a ski scene for The Beatles’ upcoming United Artists film. All four travelers were excited to hit the slopes with their private ski instructors. But on first night in the hotel, John and George were entertaining the ladies with mad antics, when George fell and broke his foot. For the producer, there would be no happy jaunts on the picturesque Alpine slopes. Not this trip.

 

The next evening, to amuse Martin and draw him out of the doldrums, John performed two new songs…songs that John had composed for the new film (eventually to be known as “Help!”). The first number was haunting and lovely, but because it was clearly a song about an affair John had had, Martin was unnerved. He felt awful that Cynthia was sitting only a few feet away, chatting with Judy. So, he urged John along to the next composition. This one was fast-paced — a hard-hitter about a girl who was leaving the singer flat. “Ticket to Ride” was, even in its early, unplugged version, incredible. Later, John would call the number “the first heavy song The Beatles ever did.” In fact, he said it was “heavy before there even was heavy!” It would be released on 9 April in the U.K. and go to Number 1 only five days later. This January 1965 composition, born of the desire for greater experimentation and variety in The Beatles’ musical creations, would take them in a new direction.

 

January 1966 – John had been married since August of 1962, and Ringo since January of 1965. But Paul and George remained eligible bachelors until January of 1966 when George and Patti Boyd said their “I do’s” at the Epsom Register Office in Surrey. In a very brief, 7-minute ceremony, the couple (who had dated since they met on the set of “A Hard Day’s Night” in 1964) became Mr. and Mrs. George Harrison. And full of hope, a new year and a new life began for The Beatle as well as his gorgeous new bride, a former model.

 

January 1968 – The end of 1967 had left The Beatles deeply despondent. They were mired in Apple’s machinations, and “Magical Mystery Tour” — airing on BBC1 on Boxing Day, 1967 — had disappointed both the public and the press. But in January, George Harrison, who had been in India, working on the music for the film, “Wonderwall,” came home filled with a serene spiritual peace. Certain that he could connect his mates to this new font of inspiration as well, George began to coax them to “at least listen” to “the truth” he had found. Already, seeds were being planted for The Beatles’ February 1968 sojourn to Rishikesh where, in the Ashram of the Maharishi Mahesh Yogi, the four boys would refresh their weary souls, write most of “The White Album,” and return home with renewed energy and creativity for the studio. George had given them hope by reminding them that, as always, the world could not break their spirit.

 

And so, looking back over the lads’ myriad Januarys together, we find that The Beatles are not so different from you and me.

 

Hope visited The Fab Four regularly in January, as it comes to us all: a flicker in the dark of winter, a soft whisper that no matter how we’ve failed in the year before, we have a chance to try again: a new world to conquer, a new marriage to tend, a new song to sing, and a newness of soul to seek. Over and over, The Beatles kicked off the year, as we must, in a spirit of optimism — believing that life is doable, if only we can pick ourselves up and start again. They also began in expectation, claiming the year ahead as their own and pledging the determination and hard work to make it so. And so, my dear Fest family…so can we.


Jude Southerland Kessler is the author of the John Lennon Series: www.johnlennonseries.com

Jude is represented by 910 Public Relations — @910PubRel on Twitter and 910 Public Relations on Facebook.

Share

In My Life — What are your earliest memories of The Beatles?

What are your earliest memories of The Beatles? How did your journey with the Fab Four begin? Jude Kessler, author of The John Lennon Series, shares her sentimental journey and encourages you to share yours! Our panel of judges will award 3 prizes for the best very brief stories in our Comments section below. The winners will get to expand their stories and be highlighted as our Featured Fest Bloggers in June!

 

Here’s Jude’s true tale:

 

I’ve told the story at least a hundred times: how 9-year-old Pattie Holly Singer — clasping an early Beatles 45-rpm photo jacket — waylaid me en route to class at Horseshoe Drive Elementary in Alexandria, Louisiana.

 

These are The Beatles!” she exhaled, her eyes dancing nervously. “Everyone’s in love with them!!! You’ve gotta pick one to fall in love with…by recess!” That was the beginning of it all, really — the sojourn into the frenetic and frantic land of Beatlemania.

 

All the rest of my memories that year center on The Beatles. I can’t recall anything else “in my life.”

 

My father, Dr. Tom Paul Southerland, the Rapides Parish Assistant Superintendent of Schools, was not impressed. Each month, he’d call me into his office and sit me down to begin the standard lecture: “You’re in love with that John Lennon, and it has to stop! He’s a hoodlum, I tell you. A hoodlum!” But the more my dad divulged that “fact,” the more I was attracted to the almond-eyed guitar player with his razored wit and deep, gritty voice…the more “The Leader Beatle” invoked devotion.

 

Despite my father’s despair over Lennon-mania, though, he saw sense. When “A Hard Day’s Night” came to Alexandria’s Don Theater, late that summer, he offered to take me to the film. He even did some research on it and commented on the cautious drive downtown, “I hear these Beatles are a lot like the Marx Brothers. Some people say they’re the Marx Brothers and the Keystone Cops, all rolled into one. In fact, down at the office, they tell me this movie really shows that side of their comedy.”

 

I don’t remember my response; I’m sure it was polite and agreeable. But in that fat, baby-blue-and-white, four-door Buick, I do remember thinking that I’d seen “You Bet Your Life” on TV and that John Lennon was nothing whatsoever like gruff, bespectacled, OLD Groucho Marx. I saw no correlation between Marx and Lennon, and frankly, I couldn’t imagine anyone who could! I bit my lip and sighed and thought my father and I, worlds apart.

 

At the end of film that afternoon, as the credits rolled across the screen (names I would come to know intimately in my adult life…some, like Victor Spinetti, whom I would meet and interview at our own Fest for Beatles Fans), I sat in the darkness and wept. I cried because I’d loved every minute of John’s film. (As Susan Ryan said to me years later, “What??! The other Beatles were in that movie????”) I sobbed because it had ended all too quickly. And I wept because there was no one there to understand my heart.

 

“Would you like to stay and see it again?” my father leaned over, asking me quietly. I was floored. Stunned! The man who had railed against The Beatles for months got it!!!! Somehow, he understood. And he was offering to devote two more hours of his life to a film he really didn’t want to see. It was a moment…one of the best of my childhood. My father had unwittingly conspired with The Beatles to create a forever memory.

 

Today, I live about two hours from Alexandria — or “Beatle Town,” as I call it. Every time I have an occasion to drive through the city or visit friends there, I fly back to 1964. I remember it all. I remember asking for my first Beatles album on my November birthday and getting, instead, a black-and-white LP by The Liverpool Beats singing, “I Want to Hold Your Hand” and “I Saw Her Standing There,” right alongside “Joshua” and “Maybe I Will.” I vividly recall fighting back hot tears over the sound of “Happy birthday to you, happy birthday to you…” and trying to act thrilled over the errant record looming next to my chocolate cake. I also remember climbing into bed that night and writing a very early letter Santa, who surely, in just a few short weeks, would right the wrong and deliver the treasure I so craved.

 

On a very chilly and early 25 December 1964, as I tore into the thick, crimson foil encasing Capitol’s “Meet the Beatles,” my introduction to “the lads” was finally complete. In twelve short months I had found my passion for a lifetime and stepped into my future career. I had selected not only “a Beatle to love,” but had chosen the direction for my college course of study and the path of my professional life. From that day on, it would be all John Lennon, all the time.

 

And yes Virginia, it still is.

 

*********

Now…it’s your turn. Share your first and earliest Beatles’ story with us in the Comments below…let the memories Shine On.


Jude Southerland Kessler is the author of the John Lennon Series: www.johnlennonseries.com

 

Jude is represented by 910 Public Relations — @910PubRel on Twitter and 910 Public Relations on Facebook.

Share

Shine On! These second generation Beatles fans are among our torch-bearers

At the dramatic close of the 1960’s Broadway hit, “Camelot,” a beleaguered King Arthur — preparing to face the final battle against his arch-enemy, Mordred — calls a young boy to his side. He instructs the youth to scarper from the battle as quickly as he can and to protect himself so that he will never

 

“…let it be forgot

that once there was a spot,

for one brief, shining moment that was known as Camelot!”

 

That boy, King Arthur realizes, is the key to tomorrow. He is the one who will tell generations to come about the Knights of the Round Table — about their valiant deeds and their unique code of chivalry. To “this boy” belongs the future and the ongoing life of all that King Arthur so passionately created. The boy is, in our Beatles lingo, a “Second Gen Fan.”

 

Truly, our Second Generation Beatles Fans are our torch bearers. They (and their children, the Third Genners) are the ones who’ve taken up the light of Beatlemania. These fans — who never saw a live concert, who never watched The Beatles on Ed Sullivan (unless they did so via DVD), and who never stood screaming on an airport tarmac — are just as passionate, just as devoted, and just as committed to The Beatles as are the Baby Boomers. In fact, they are busy spreading the Beatles legend in extremely creative and original ways.


SCOTT ERICKSON
, a Second Gen fan from Danville, PA is a beloved and respected member of our Fest Family! A gifted musician who plays acoustic guitar, bass guitar, ukulele, keyboard, harmonica, and (as he says) “the occasional kazoo,” Scott is a devoted student of Beatles music. He performs at least one live session at each Fest for Beatles Fans, and we are blessed to have him! Scott has opened for Blue Oyster Cult, The Bacon Brothers (Actor Kevin Bacon and his brother Michael), comedian Gilbert Gottfried, and many others…and over the course of his career he’s performed and jammed with Keith Urban, members of The Smithereens, (former sidemen for Sir Paul!) Hamish Stuart, Robbie McIntosh and Wings drummer Steve Holley! Scott offers up widely varied music from country to pop, but always, The Beatles serve as his inspiration. At each Fest for Beatles Fans, he teams up with Dr. Kit O’Toole to share a “Deep Beatles” spotlight of some the lads’ lesser-known tunes. Coming up in Chicago, for example, the powerhouse duo will highlight a not-to-be missed session on The Esher Demos.

 

For more information on Scott Erickson and his upcoming gigs, go to: https://www.scottericksonmusic.com/

 

Or follow him on Facebook at http://www.facebook.com/officialscotterickson

LANEA STAGG, another animated, multi-talented Second Genner, hails from the Kansas City area and currently resides in Evansville, Indiana. Lanea is the creator and author of four music-inspired books in The Recipe Records Cookbook Series. Based on hit songs, Recipe Records offers menus (and song facts, trivia, and stories) that get us “out in the kitchen [to] rattle those pots and pans.” Each easy-to-prepare recipe is coupled with a “Song List” (instead of a “Wine List”) to play as one cooks, using Alexa – or a comparable device – to supply the sounds! In her Recipe Records: A Culinary Tribute to The Beatles, Stagg provides us with fun and delicious recipes such as Stuffed Sgt. Peppers, George Martinis, I Am the Eggs, Man!   In her Recipe Records: The 60s Edition book, she gives us Give Peas a Chance, and You Say Goodbye, I Say Jello. With guest Beatles-based chefs sharing their favorite recipes (Liverpool’s own David Bedford teaches us how to prepare “Scouse” and Jude Southerland Kessler supplies “Strawberry Pie Forever”), Stagg demonstrates her passion for The Fab Four in a very unique, hands-on, and joyous way. In her “spare” time (LOL!!!), Stagg co-hosts the “She Said She Said” Beatles podcast and was a speaker at the 2018 White Album Conference. She is also co-chairing the 2019 Beatles at the Ridge Symposium coming up in September! (We won’t even mention her Little Dog Series of children’s books! Second Gen energy for sure!) Lanea Stagg is multi-talented.

 

For more information on Lanea Stagg or to purchase her books, go to https://www.laneastagg.com

 

Or follow her on Facebook at:  https://www.facebook.com/LaneaStagg/

ERIKA WHITE (above) AND ALLISON BORON (below), podcast hosts of “BC The Beatles” hail from opposite coasts but they are united in their love of John, Paul, George, and Ringo. Erika resides in New York’s bustling atmosphere, and Allison works in Los Angeles, but they “come together” to interview big names in The Beatles world such as Candy Leonard, Dr. Ken Womack, and Rob Sheffield.  They also tackle topics such as “What If The Beatles Had Passed the Decca Audition?” and “John Lennon: Sinner or Saint?”

Boron and White have both served on the Fest’s “Historian’s Panel” for years and have moderated numerous panels, individually. They were invited to speak at the 2018 White Album Conference in Monmouth University and are Featured Speakers for this year’s 2019 Beatles at the Ridge Beatles Symposium. Wildly popular, these two enthusiastic Second Gen Fans know their Beatles, and their podcasts certainly reflect that!

 

To listen to “B.C. The Beatles,” go to: https://bcthebeatles.podbean.com/

 

Or, follow them on Facebook at: https://www.facebook.com/bcthebeatles/

 

Happily for all of us, the recent New York Metro Fest for Beatles Fans this year was replete with Second (and Third) Gen musicians, fans, and speakers…and Chicago will be as well! We appreciate authors such as Robert Rodriguez and Dr. Kit O’Toole, podcast hosts such as Dave Thurmaier (“I’ve Got A Beatles Podcast”), Robert Rodriguez (“Something About The Beatles”) and Steven Krage (“The Objectivist”) and exuberant Public Relations agent, Nicole Michael of 910 Public Relations, who represents over 20 outstanding Beatles authors/speakers. Our Second Gen fans give us new perspectives, new insights, and new hope. They carry The Beatles into the coming years and inspire their children and grandchildren to keep the records playing.

 

As a Baby Boomer of the first order, I send love and support to them. Dragging them aside from life’s fray, I beg them to keep the true story accurate and alive. “Be well,” I say. “Be brave. But most of all, dear friends, shine on.”


Jude Southerland Kessler is the author of the John Lennon Series: www.johnlennonseries.com

 

Jude is represented by 910 Public Relations — @910PubRel on Twitter and 910 Public Relations on Facebook.

Share

An Open Letter to Sir Paul McCartney: Come to the Fest!

Dear Sir Paul, (although many of us still fondly think of you as Paul, the lad from Allerton)

 

It was your idea, remember? In 1969, you tried to convince John that The Beatles ought to surprise random audiences and give impromptu concerts at smaller venues. He called the concept “daft.” We think it, genius.

 

Please…surprise us!!!

 

Last year, we watched longingly as you played the Philharmonic Pub to that lucky crowd gathered around you (and James Corden). We smiled to see you enjoying “Get (ting) Back” to your roots — to the haunts around The Institute that you know so well. We grinned along with the thrilled, enthusiastic crowd who will most certainly tell their grandchildren about the day they were fortunate to see Paul McCartney in Hope Street.

 

Please…thrill us!!!

 

Every one of us shared the priceless photo on social media (and in The Sun) of you riding blissfully along on a U.K. train, checking your texts and reading the newspaper…sitting there casually “in the trenches,” one of us again. To a man, (and a woman), we pretended that we were the providential passenger sitting across the aisle, giving you complete privacy while longing to lean over and whisper, “Just so you know, you changed my life forever.”

 

Give us that chance.

 

Please…trust us!!!

 

The Fest for Beatles Fans is in its 45th year, and for 45 years, we have gathered twice annually (in some years, three and four times) to play your songs, discuss the events of your life in depth, celebrate your new releases, and share our treasured photographs from your concerts. Some of us can boast never missing a Fest for Beatles Fans since its inception. Others are proud to have attended for 15 or 20 consecutive years, and yes, even that “modest” number is an investment of time, money, and devotion. We are fans in the truest sense of the word. No group of people anywhere would be more appreciative or more overcome with joy to welcome you in person.

 

We think you’d enjoy meeting us as well. A good many of us remember that first Ed Sullivan show. We were there, too…watching…agog. And for us, that night was just the beginning of live concerts, purchased LPs, trips to Liverpool, and a life of devotion.

 

Others of us are Second Gen fans…schoolteachers and dentists and accountants in our forties. But don’t let our age fool you! We’re no less devoted than the Baby Boomers. In fact, because we were introduced to The Beatles and Wings and “Macca” by our parents, teachers, or slightly older friends, we’ve compensated by becoming intensely passionate fans.

 

Finally, a huge portion of our Fest Family is comprised of Third Genners…excited and proud to be Beatles and McCartney fans in our teens and twenties. We know the stories just as well as the others do. And fifty years from now, we’ll be the ones telling them to those who will follow.

 

We are diverse. But demographics aside, Paul, we find that at heart, our Fest Family is very much alike. We subscribe to Beatlefan magazine and Octopus’ Garden fanzine. We listen to podcasts such as “Something About The Beatles” and “Breakfast with The Beatles” and “Beatles Brunch.” We have McCartney and Beatles libraries in our homes. We’ve collected every concert t-shirt you’ve ever printed. In short, we are your people — the ones who would really cherish that incredible moment when you’d suddenly appear on The Fest for Beatles Fans stage and rave across the boards, with a little help from your friends.

 

This year, the New Jersey Fest for Beatles Fans is set for Friday, 29 March; Saturday, 30 March, and Sunday, 31 March, and you are most cordially invited, Sir Paul. It would, indeed, be the honor of a lifetime to have you there!

 

We hope to see you in Jersey City at the Hyatt Regency where, thanks to the hard work of Mark and Carol Lapidos, their daughters Michelle Joni and Jessica, and the Fest staff and family, a “splendid time is guaranteed for all.” Having you with us, even for a moment or so, would certainly make it so. It was a great idea in 1969…but it’s an even better one now!

 

Cryin’, wishin’, hopin’, (your Cavern song!)

Your Fest Fans

 

P.S. We love you.


Jude Southerland Kessler is the author of the John Lennon Series: www.johnlennonseries.com

 

Jude is represented by 910 Public Relations — @910PubRel on Twitter and 910 Public Relations on Facebook.

Share