Fest Memories: The 25th Anniversary Fest Kicked Off 15 Years Ago Today

25 years ago today, at the Crowne Plaza Meadowlands in Secaucus, the 25th anniversary Fest kicked off.
 
During the celebration of The Beatles, time was also taken out to recognize the 25 year anniversary of when Fest founder Mark Lapidos met John Lennon – setting in motion the first ever Fest in 1974.
 
At the ’99 Fest, guests included Gordon Waller, Laurence Juber, The Quarrymen, Doris Troy, Louise Harrison, Al Brodax, and Tony Barrow.
 
As a great surprise on Friday night, legendary concert promoter Sid Bernstein stopped by.
 
Below, Mark Lapidos – wearing the same tuxedo he wore during the first Fest in 1974, cuts the 25th anniversary cake.
 

 

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On This Date In History: John and Yoko begin the First Bed-In


 
By Danny Abriano
 
Five days after their marriage in Gibraltar, John Lennon and Yoko Ono checked into the Amsterdam Hilton for the beginning of their first Bed-In for peace – the second Bed-In would take place in May in Montreal.
 
With the Vietnam war raging and Lennon and Ono aware that their non-violent public demonstration of the war would make worldwide news, Lennon and Ono stayed in bed with signs hanging over their head that read “Bed Peace” and “Hair Peace.” In order to gain attention and spread their message of world peace, they invited the media into the room each day for 12 hours.
 
For the most part, though, the media didn’t take the Bed-In seriously.
 
During the Montreal Bed-In two months later, Lennon spoke with Timothy Leary.
 
When asked if the message of peace was getting through, Lennon replied:

Yeah, think about it. But they’re getting it, y’know, I mean they must be. Our voices must be going out solid about every quarter of an hour. And if it isn’t singing, it’s talking, and we’re just repeating the same bit, y’know, and there’s very little “Me eyes are brown and Paul’s…y’know? I mean I do that for the ones that need it. Most of it’s just, “let’s get it together,” and it must be going out now like a mantra. We’re trying to set up a mantra, a peace mantra, and get it in their heads. It’s gonna work.

Lennon had actually wanted to hold the second Bed-In in New York, not Montreal, but he wasn’t allowed into the country due to his recent marijuana conviction.
 
The lasting images and videos from both Bed-Ins seem to have had far more impact than the actual Bed-Ins had at the time. However, that isn’t an indictment on Lennon or Ono. Rather, it’s a reflection of the media not taking their brilliant tactics seriously.
 
It’s also likely that Lennon’s political activism had a strong negative impact on the fact that the United States government began to harass him – and attempt to deport him – a few years later.
 
In 2012, Yoko Ono posted the Bed-In movie for all to see. It can be viewed below:
 

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On Today’s Date in 1985: The Imagine Mosaic is Dedicated at Strawberry Fields

On today’s date in 1985, a year after Strawberry Fields opened in Central Park as a tribute to John Lennon, a dedication ceremony (with Julian Lennon, Sean Lennon, and Yoko Ono on hand) was held for the Imagine mosaic that sits prominently at Strawberry Fields.
 
Over the last 29 years, the Imagine mosaic has become a place for John Lennon fans to reflect and celebrate the life of the legendary Beatle.
 
Below, are thoughts on Strawberry Fields from Fest founder Mark Lapidos, Fest Director of Marketing Michelle Lapidos, and Fest Production Associate Danny Abriano:
 
Mark Lapidos:

I think of Strawberry Fields as a place where fans can go to reflect on the life of John Lennon, and just what he still means to all of us. To know that John & Yoko thought of this area, across the street from their home, as a sanctuary where they could go for a walk as any other couple might do on a nice afternoon in NYC. Now, there are always fans around, playing guitars, singing his songs and Beatles songs, happy to be in a place where John called home.

 

Michelle Lapidos:

 

I LOVE Strawberry Fields! To me it is the perfect place in the park to hang out and think about John, his impact on the world, and how I will make my own imprint. It’s amazing to sing and jam with Strawberry Fielders like we’re under the stairs at Chicago Fest (kinda…), especially on John’s birthday. It has also served as a wonderful,
peaceful meeting spot for my Skipping Club, my skipping fitness group. Also, it makes for fabulous photo opps.

 

Danny Abriano:

 

Since I was born after John Lennon was senselessly taken from us, Strawberry Fields – to me – is a place where I feel closest to John. On any given day, the area around the Imagine mosaic is either tranquil or filled with music from those who are celebrating John’s life and legacy. It’s truly an amazing place to visit. When there, it’s easy to see why John made New York his home.
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On “Now And Then,” Which Was Nearly the Third Beatles Reunion Track


 
By Danny Abriano
 
All hardcore Beatles fans know that Paul McCartney, George Harrison, and Ringo Starr reunited in 1994 and 1995 to record “Free As A Bird” and “Real Love” for release on the upcoming Anthology 1 and Anthology 2 albums respectively.
 
What some may not know, is that there was another John Lennon demo the three living Beatles were planning to record for release on Anthology 3.
 
That demo was “Now And Then.”
 
Originally recorded by Lennon at the Dakota in 1979, Now And Then (along with the other Lennon demos) was given to Paul McCartney by Yoko Ono in January of 1994.
 
On March 20th, 1995, McCartney, Harrison, and Starr began working on Now And Then, recording a backing track that was to be used on what would’ve been the finished product. However, after one more day of working on the track, all plans to finish “Now And Then” and have it included on Anthology 3 were scrapped.
 
According to those who were there, there were two reasons why Paul, George, and Ringo stopped working on Now And Then.
 
The first, was that some of the verses and part of the chorus weren’t finished and/or were unintelligible on the demo. Paul, George, and Ringo would’ve had to finish writing those parts for John, which is something Paul later stated George “didn’t want to do.” The original lyrics by John are as follows:
 
I know it’s true, it’s all because of you
And if I make it through, it’s all because of you
And now and then, if we must start again
We will know for sure, that I love you
 
I don’t want to lose you – oh no, no, no
Lose you or abuse you – oh no, no, no, sweet darl’
But if you have to go, away
If you have to go (unintelligible)
 
Now and then, I miss you
Oh now and then, I (unintelligible)
I know return to me
 
I know it’s true, it’s all because of you
And if you go away, I know you (unintelligible)
 
I don’t want to lose you – oh no, no, no
Abuse you or confuse you – oh no, no, no, sweet darl’
But if you had to go
Well I won’t stop you babe
And if you had to go
Well (unintelligible)
 
As can be seen above, there are four spots where John Lennon’s words either trail off, are unintelligible, or both. Those are the verses the remaining Beatles would’ve had to have re-written.
 
The second issue with the track was that the quality of the original Lennon demo contained a technical problem – a humming noise that lingered on the tape throughout.
 
In a bootleg that was released in 2009, the humming noise from the original Lennon demo was removed, meaning that the song could potentially be finished by McCartney and Starr if they so choose.
 
In 2012, McCartney was quoted as saying he would be open to completing Now And Then with Jeff Lynne as the producer.
 
Perhaps the song will eventually be finished by Paul McCartney and Ringo Starr (also utilizing the backing track that includes George Harrison) and released. Until then, you can listen to John Lennon’s demo and imagine what the finished product might sound like:
 

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Today in 1984: “I’m Stepping Out” is Released


 
By Danny Abriano
 
On this date in 1984, John Lennon’s “I’m Stepping Out” (with Yoko Ono’s “Sleepless Night” as the B side) was posthumously released as a single in the U.S.
 
The song, which was recorded in 1980, was featured on the John and Yoko album Milk and Honey.
 
At the time of his death, Lennon was starting to embark on what would’ve been his re-emergence after the five year hiatus he took from the music business between 1975 and 1980.
 
In a 1980 interview with Playboy, Lennon described why he took his break from the music business:

There were many reasons. I had been under obligation or contract from the time I was 22 until well into my 30s. After all those years, it was all I knew. I wasn’t free. I was boxed in. My contract was the physical manifestation of being in prison. It was more important to face myself and face that reality than to continue a life of rock ‘n’ roll… and to go up and down with the whims of either your own performance or the public’s opinion of you. Rock ‘n’ roll was not fun anymore. I chose not to take the standard options in my business… going to Vegas and singing your great hits, if you’re lucky, or going to hell, which is where Elvis went.

 
The years Lennon spent away from the music industry included lots of time spent as a “househusband,” whose main focus was taking care of his young son Sean. “I’m Stepping Out” is John’s tale of his time away from the business and how it was at times making him stir crazy.
 
There were lots of reasons why John wanted to return to the spotlight in 1980, which he explained during the same Playboy interview cited above:

You breathe in and you breathe out. We feel like doing it and we have something to say. Also, Yoko and I attempted a few times to make music together, but that was a long time ago and people still had the idea that the Beatles were some kind of sacred thing that shouldn’t step outside its circle. It was hard for us to work together then. We think either people have forgotten or they have grown up by now, so we can make a second foray into that place where she and I are together, making music… simply that. It’s not like I’m some wondrous, mystic prince from the rock-‘n’-roll world dabbling in strange music with this exotic, Oriental dragon lady, which was the picture projected by the press before.

 
As is noted, lots of what John was feeling during his “househusband” period – including his yearning to eventually make a partial return to the spotlight – was described in “I’m Stepping Out,” which can be heard below.
 

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Today In Beatles History: “Can’t Buy Me Love/You Can’t Do That” Certified Gold

On today’s date in 1964, with Beatlemania in full swing, the Beatles released “Can’t Buy Me Love” as a single with “You Can’t Do That” as the B side.
 
In an example of how hot the Beatles were at the time, the single was certified gold the same day it was released after advance sales in the United States exceeded 2.1 million.
 
A few weeks later, the Beatles made Billboard history, when their songs held the top 5 slots on the charts. It looked like this:
 
No. 1: “Can’t Buy Me Love”

No. 2: “Twist and Shout”

No. 3: “She Loves You”

No. 4: “I Want To Hold Your Hand”

No. 5: “Please Please Me”
 
While remembering just how remarkable the Beatles’ accomplishments were in 1964, let’s take a look at videos of some of the best live versions of the five songs that made history.
 
Can’t Buy Me Love:
 

 
Twist and Shout:
 

 
She Loves You:
 

 
I Want To Hold Your Hand:
 

 
Please Please Me:
 

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On John Lennon’s “Lost Weekend” & The Beatles Reunion That Never Was

By Danny Abriano

As a Beatles fanatic who was born three years after John Lennon was senselessly taken in December of 1980, I’m often bothered by the fact that I never shared the world with John. Since The Beatles formed and broke up before I was born, I also think about all of the “what ifs.” One of the most pondered, of course, is “what if The Beatles had gotten back together?”

During John Lennon’s “Lost Weekend” – the time he spent away from Yoko Ono from the summer of 1973 to early 1975 – he was with May Pang (and many others), and reportedly gave serious thought to a reunion with Paul and the rest of the group.

Before delving into the potential Beatles reunion, though, it’s important to discuss why the Lost Weekend came about in the first place.

John’s marriage to Yoko was floundering, and Yoko basically chose May Pang – who was an employee of theirs – as a lover and companion for John to have during their time apart. John spent lots of The Lost Weekend in Los Angeles, with friends such as Mal Evans and Harry Nilsson.

This month in 1974, one of the most infamous events of The Lost Weekend took place – the night John and Harry Nilsson were kicked out of the Troubadour Club for heckling the Smothers Brothers. As the story is told in “Lennon In America” by Geoffrey Giuliano:

One evening, Lennon, along with May Pang and Harry Nilsson, arrived at the Troubadour around midnight to catch the opening night of the Smothers Brothers act. Already overloaded on Brandy Alexanders, John became immediately disruptive, joining Harry in a cacophonous songfest and hurling a stream of obscenities at the Smothers. Events took a nasty turn when the duo’s manager Ken Fritz confronted an out-of-control John and hauled him from his seat.  Lennon exploded, overturning the table and the pair exchanged a few halfhearted fisticuffs. Lennon and company were literally thrown out the door where they tumbled into a party of incoming patrons, touching off a full-blown street brawl. The incident made worldwide headlines the following day.

While the Troubadour incident sheds light on how wild Lennon could be during the Lost Weekend, not every moment was dedicated to debauchery.

During this time, Lennon completed three solo albums (“Mind Games,” “Walls and Bridges,” and “Rock ‘n’ Roll”), produced the “Pussy Cats” album for Harry Nilsson, and wondered aloud about a potential Beatles reunion. As May Pang told it:

John really thought about it at one point, and we were considering it early on in ’74, just for the hell of it. Harry Nilsson wanted to be a part of it. We said, oh, that would be a good idea—a one-off, and we would do it in the fall. We were thinking about upstate New York, like Syracuse, because Ringo couldn’t be in New York City…we had been hanging out with Ringo a lot in L.A., and it just came out of conversation, hanging out: ‘Oh, wouldn’t it be great if we did this one gig,’ and they’d start talking about it. ‘Yeah, well, why don’t we do this, and George would do that, and Paul. . .’ So it was just thrown around, and everybody was like, well. . .let’s do that.

In addition to his words to Pang, John had also spoken openly around that time about a potential Beatles reunion.

So, why didn’t a reunion happen?

According to Pang, none of the Beatles ever took the lead on hammering out the details. By 1975, John was back with Yoko and at the beginning of a five year break from the music business.

Lennon was at times in the process of losing himself completely while he was away from Yoko during the Lost Weekend, and his decision to get back together with Yoko was his.

However, like many fans unfairly blame Yoko Ono for the breakup of The Beatles, many also claim that her presence prevented any potential Beatles reunion from happening. May Pang supposedly encouraged John to reunite with Paul – something Yoko apparently didn’t do. Still, every choice John made was his.

While a Beatles reunion never took place, John Lennon and Paul McCartney did record together after the breakup. The date was March 28th, 1974, and a John and Paul reunion (with Harry Nilsson, Stevie Wonder and others also playing) came to be during a night of partying in the studio in Los Angeles.

The tape of the session is out there on the bootleg “A Toot and A Snore in ’74,” and is mostly a convoluted mess of voices and noises. Still, it has John Lennon and Paul McCartney playing and singing together four years after the breakup of The Beatles, something that can’t be found anywhere else.

Listening to John and Paul play and sing together on the tapes above is both sad and thrilling at the same time.

It’s just a jam session, and an alcohol and drug fueled one at that. However, it makes me think about what would’ve happened if a legitimate Beatles reunion had ever occurred.

After the breakup, the solo Beatles recorded with one another often, but never recorded as a foursome again. Most notably, John, George, and Ringo played on Ringo’s “I’m The Greatest,” and George, Paul, and Ringo played on George’s tribute to John “All Those Years Ago” after John was killed.

What would’ve happened if the group had gotten back together? Would it have been something that blew up as quickly as it materialized? A one album thing? Something that resulted in a second long-lasting effort? With their legacy already cemented, would it have even been worth it?

I was at Radio City Music Hall in 2010 when Paul surprised Ringo on stage for his birthday and of course sang “Birthday.” No one in the crowd knew Paul was about to show up, and the entire place went into absolute hysterics when Paul’s hofner bass was placed on stage, followed shortly thereafter by Paul running out and grabbing it. When Ringo ran behind the drum kit and sat down to start playing with Paul, it felt as if the mezzanine where I was sitting might collapse.

I had seen Paul in concert before, and I had seen Ringo in concert before. This was different, though. On stage were two Beatles – the only two who were left – performing together. It was more than special – there isn’t really an adequate word to describe it.

What would an official Beatles reunion have done to impact moments like the one above? Watered it down, or somehow enhanced it?

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Recap: The 2014 NYC Fest

Last month, over 8,000 Beatles fans from 45 states and 5 continents gathered at the Grand Hyatt on 42nd street for the biggest and best New York area Fest in our 40 year history!
 
It began Friday morning on February 7th, when the Fest sent two busloads of fans from the Hyatt in Manhattan to JFK Airport in Queens to commemorate the exact moment in 1964 when The Beatles stepped off PanAm flight 101.
 

Donovan brings the house down with Liverpool

50 years to the day of the arrival of The Beatles in America, months of perseverance paid off with help from Q104.3 and the Port Authority of New York/New Jersey. With fans and media gathered at the TWA flight center at JFK, the Port Authority revealed a permanent Beatles plaque that marked the historic occasion.
 
As fans screamed and flashed homemade signs, our incredible house band Liverpool shook the airport with two live sets of Beatles hits. Ken Dashow of Q104.3 was on hand to deliver some remarks, and introduced Billy J. Kramer, Mark Rivera, The Lord Mayor of Liverpool, and John Lennon’s sister Julia Baird to the crowd.
 

Fest attendees had the opportunity to look back on 40 amazing years of the Fest

The event was a huge hit, and was covered on hundreds of newscasts later in the day.
 
Back in Manhattan, the Fest began at 5PM in 20 ballrooms and meeting rooms and it wasn’t long before everyone realized it was going to be a very special weekend full of lots of surprises. Our special musical guests – Donovan, Peter Asher, Billy J. Kramer, Chad & Jeremy, Mark Rivera, and Mark Hudson, were just the beginning.
 

Pattie Boyd poses with Carol Lapidos

Fest fans go wild at JFK Airport

Other musical guests – many previously unannounced – included Denny Laine (Wings), Neil Innes (The Rutles/Monty Python), Gene Cornish (The Rascals), and Terry Sylvester (The Hollies). Also rocking the Fest were The Smithereens, The Nutopians, and Birds of Paradox (featuring Steve Holley and John Lennon’s former band members Gary Van Scyoc & Adam Ippolito). Of course, Liverpool headlined the nightly Beatles concerts. We thank Steve Holley, who did a tremendous job pinch hitting for Chris Camilleri.
 
A wonderful surprise, Pattie Boyd joined us for most of Saturday for a great talk and a signing session. Along with Pattie, our non-musical guests contributed greatly to the festive spirit of the weekend. “Good Ol” Freda Kelly, Mark Lewisohn, Larry Kane, and 20 other guest authors and panelists helped fill the weekend with lots of great moments. Let us not forget Vince Calandra, Irene Katz & Alice Kestin, who told stories of what it was like to be at the Ed Sullivan Theatre or the Plaza Hotel during the weekend 50 years ago when The Beatles conquered America.
 

The Fest’s 40th anniversary cake/cupcake mosaic – presented by Baked by Melissa

Also spicing up the weekend were two live broadcasts. Saturday, Cousin Brucie, the legendary DJ who now hosts 60s on 6 on SiriusXM, took over the main stage for three hours to celebrate the anniversary of the arrival of The Beatles. Besides all of our musical guests joining Cousin Brucie, Ronnie Spector appeared and sang a great version of Be My Baby. Sunday Morning, Ken Dashow’s Breakfast With The Beatles aired live from The Cavern, where Billy J. Kramer & his band, Dana Fuchs, and Garrett Gardner (NBC’s The Voice) all performed live.
 

Cousin Brucie gets the crowd going

The Cavern was a highlight of the New York Fest, a brand new second ballroom of live music that featured more than a dozen up and coming bands, DJs spinning Beatles songs, live painting, and more. Among the highlights: Garrett Gardner brought the house down, Michelle Joni premiered her tribute to Yoko Ono’s Bad Dancer and sang with Michelle My Pelle, acclaimed singer-songwriter Laura Stevenson graced the stage, and Mark Lewisohn joined Bambi Kino for some very early Beatles jams. Other artists included Dani Mari, The Ferocious Few, People At Parties, DJ Natasha Blank, Josh Max, Peculiar Gentlemen, Cheap Sneakers, Odetta Hartman, Rony’s Insomnia, and Nick Demeris. The Cavern went to 2 AM on Friday & Saturday nights for those who still had energy left, and ended with a Fest after-party Sunday featuring Reserved For Rondee, who blew the crowd away with their unique style.
 
The new events at the Fest proved to be very popular. The Ashram, a mind-body-Beatles experience, featured yoga, guest lecturer (Dear) Prudence Farrow, sound healing, talks on modern spirituality inspired by George Harrison, Deco’s poetry jam, and more. The Modern Drummer Drum Symposium was packed, and featured Liberty DeVitto (Billy Joel), Danny Seraphine (Chicago), Carmine Appice (Vanilla Fudge), Aaron Comess (Spin Doctors), Steve Holley (Wings), Dennis Diken (Smithereens), and Shawn Pelton (SNL Sessions), world class drummers who paid tribute to Ringo Starr – the greatest drummer of them all. Also new this year were sold out New York City Beatles Walking Tours on Saturday & Sunday, and “We Can Write It Out” with Mark Hudson, where songs were created during each session.

Other highlights from the weekend were Photographers Bob Gruen, Allan Tannenbaum, and Rob Shanahan, and Artist Eric Cash showing their amazing exhibits, the incredible 40th anniversary Fest cake that was presented by Baked by Melissa on Saturday night, puppet shows and a parade led by Bob Abdou, a children’s concert by mr. RAY, two couples who got married the day of the Fest before coming to the Fest together for a “Beatlemoon,” Beatles trivia, “Yesterday and Today” winning the Battle of the Beatles Bands, Jeff Goldberg winning a trip to Las Vegas to see Beatles LOVE, and of course all of the late night jams throughout the hotel!
 

Shawn Pelton, Carmine Appice, Danny Seraphine, and Liberty Devitto pose at the Modern Dummer Symposium

We are currently gathering all of the pictures from The Fest. Many more pictures of all the guests and events will be shared in emails, on Facebook, and via www.thefest.com in the coming days and weeks!
 
We’d like to give a special thank you to Q104.3 for being a wonderful presenting sponsor. The Touch Tunes Karaoke and the Nation-wide sing-along led by Ken Dashow in the Q104 Lounge were big hits. We’d also like to thank The Grand Hyatt, who did a terrific job hosting the Fest. Most of all, thank you to all the guests and fans who came to celebrate the 50th Anniversary of The Beatles’ arrival in America and the 40th anniversary of the Fest for Beatles Fans with us. You all helped to make it the special event that it was. We look forward to Chicago and Los Angeles later this year and many more Fests to come!

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