
{"id":6761,"date":"2016-10-26T13:02:40","date_gmt":"2016-10-26T18:02:40","guid":{"rendered":"http:\/\/www.thefest.com\/?p=6761"},"modified":"2016-10-26T13:03:04","modified_gmt":"2016-10-26T18:03:04","slug":"its-just-a-submarine-dammit-or-is-it","status":"publish","type":"post","link":"https:\/\/www.thefest.com\/its-just-a-submarine-dammit-or-is-it\/","title":{"rendered":"It&#8217;s just a Submarine, dammit! (or is it?)"},"content":{"rendered":"<p><span style=\"font-weight: 400\">The Beatles were very lenient with the public\u2019s interpretations of their songs. <\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">In fact, only one or two times did the lads insist that the public\u2019s comments about their lyrics was &#8220;dead wrong.&#8221; Toward the end of his life, John Lennon was adamant that &#8220;Lucy in the Sky with Diamonds&#8221; was <\/span><i><span style=\"font-weight: 400\">not <\/span><\/i><span style=\"font-weight: 400\">about LSD! (And Paul McCartney backed him up on this). Similarly, Paul once said, &#8220;Personally, I think you can put any interpretation you want on anything! But when someone suggests that &#8220;Can\u2019t Buy Me Love&#8221; is about a prostitute, I draw the line! That\u2019s going too far.&#8221; (1)\u00a0<\/span><span style=\"font-weight: 400\">\u00a0But other than these two exceptions, as a rule, The Beatles welcomed the public\u2019s multi-colored explanations of Beatles lyrics. In fact, they came to expect it.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">I can just imagine Paul &#8220;laying in bed in the Asher\u2019s garret,&#8221; (2)\u00a0<\/span><span style=\"font-weight: 400\">\u00a0working on the lyrics for &#8220;<\/span><span style=\"font-weight: 400\">Yellow Submarine.&#8221; I can almost see the glimmer in his eye as he imagines what the &#8220;average Jill or Joe,&#8221; the scholarly professor, and the protester are going to make of his &#8220;simple children\u2019s song.&#8221; It must have amused him.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">The thing is\u2026every single Beatles LP included a song for Ringo. And this is Ringo\u2019s <\/span><i><span style=\"font-weight: 400\">Revolver<\/span><\/i><span style=\"font-weight: 400\"> song, written in his tight vocal range and fitted for his &#8220;down-to-earth,&#8221; genuine personality. Ringo possessed a gentleness that appealed to many people, including children. (Hence, his work as Mr. Conductor on Shining Time\u2019s (Series One) <\/span><i><span style=\"font-weight: 400\">Thomas the Tank Engine <\/span><\/i><span style=\"font-weight: 400\">show and his <\/span><i><span style=\"font-weight: 400\">I Wanna Be Santa Claus<\/span><\/i><span style=\"font-weight: 400\"> CD years later). Paul\u2019s placing of Ringo in the classic role of storyteller for &#8220;Yellow Submarine&#8221;\u00a0<\/span><span style=\"font-weight: 400\">was ideal. It worked.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">But almost as soon as the LP was released, critics began to offer up far-flung, complex explanations of the magical song\u2019s &#8220;deep and hidden meanings.&#8221; Here are just a few:<\/span><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><b>1.) Sir Paul\u2019s Explanation<\/b><span style=\"font-weight: 400\"> \u2013 Paul says he was trying to create &#8220;<\/span><span style=\"font-weight: 400\">a story, a sort of [tale of] an <\/span><span style=\"font-weight: 400\">ancient mariner<\/span><span style=\"font-weight: 400\">, telling the young kids where he&#8217;d lived.&#8221; Tim Riley points out that Paul wanted to create a song &#8220;suited to the drummer\u2019s humble charm,&#8221; (3)<\/span><span style=\"font-weight: 400\">\u00a0an enchanted story of a lovely life beneath the sea. To accomplish this, Paul\u2019s original tale was populated by many submarines of vivid colors, but as McCartney honed the story, it became the narrative of <\/span><i><span style=\"font-weight: 400\">one <\/span><\/i><span style=\"font-weight: 400\">yellow submarine and the magical people aboard this legendary vessel. (4)<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">In fact, Paul told author Barry Miles, &#8220;<\/span><span style=\"font-weight: 400\">I was thinking of it as a song for Ringo, which it eventually turned out to be\u2026I quite like children\u2019s things; I like children\u2019s minds and imagination. So it didn\u2019t seem uncool to me to have a pretty surreal idea that was also a children\u2019s idea. I thought also, with Ringo being so good with children\u2014a knockabout-uncle type\u2014it might not be a bad idea for him to have a children\u2019s song, rather than a very serious song. He wasn\u2019t that keen on singing.&#8221; (5)<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">In short, on Side One of <\/span><i><span style=\"font-weight: 400\">Revolver<\/span><\/i><span style=\"font-weight: 400\"> \u2013 a highly complex, intense compendium of thought-provoking songs \u2013 Paul\u2019s concept was to offer up a simple ditty with &#8220;short words\u2026which would be picked up quickly and sung by children.&#8221; (6)<\/span><span style=\"font-weight: 400\"> It was to be a breath of fresh air, as it were.<\/span><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><b>2.) Donovan\u2019s Story<\/b><span style=\"font-weight: 400\"> \u2013 During the writing of <\/span><i><span style=\"font-weight: 400\">Revolver<\/span><\/i><span style=\"font-weight: 400\">, Donovan and McCartney were close friends, in the habit of dropping in on one another at a moment\u2019s notice to share their latest compositions. Donovan says, &#8220;One of the songs Paul played for me was about a yellow submarine, but he was missing a line or two. He asked me if I\u2019d like to make a contribution. I left the room and came back with &#8216;sky of blue and sea of green.'&#8221; (7)<\/span><span style=\"font-weight: 400\"> And with an insider\u2019s eye on the song\u2019s composition, Donovan goes on to say that he felt Paul was using &#8220;Yellow Submarine&#8221; to convey the story of The Beatles.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">Indeed,<\/span> <span style=\"font-weight: 400\">on the 2 May 2014\u00a0<\/span><a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Howard_Stern_Show\"><i><span style=\"font-weight: 400\"> Howard Stern Show<\/span><\/i><\/a><i><span style=\"font-weight: 400\">,<\/span><\/i><span style=\"font-weight: 400\"> Donovan stated: &#8220;It\u2019s not really a submarine; it\u2019s really about the life that [The Beatles] had been forced into living inside their own lives in the white tower called &#8216;Beatle fame&#8217; and not really having any contact with reality out there anymore&#8230;you know, we are insulated from the outer world.&#8221; Donovan believed that &#8220;the friends aboard the submarine&#8221; were The Beatles\u2019 entourage and close friends\/associates, and that the sea was the protective bubble surrounding the group, encasing them while at the same time, cutting them off from life at large.<\/span><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><b>3.) The Drug Innuendo Theory<\/b><span style=\"font-weight: 400\"> \u2013 In the summer of 1966, a popular drug had been released in New York: Nembutal capsules which were large, elongated, bluntly-rounded, and yellow \u2013 thus acquiring the nickname &#8220;Yellow Submarines.&#8221; But McCartney \u2013 who had no problem admitting that he used marijuana and enjoyed it \u2013 resisted the implication that his song celebrated the new drug. Paul insisted that the only &#8220;yellow submarines&#8221; he\u2019d ever tasted were sugary Greek sweets that had to be dropped into water to be consumed. (8) \u00a0<\/span><span style=\"font-weight: 400\">As the drug culture loudly contended that The Beatles were giving them a &#8220;secret nod of approval,&#8221; Robert Christgua of <\/span><i><span style=\"font-weight: 400\">Esquire<\/span><\/i><span style=\"font-weight: 400\"> magazine vehemently refuted this claim. He wrote: <\/span><span style=\"font-weight: 400\">\u00a0&#8220;I can&#8217;t believe that The Beatles indulge in the simplistic kind of symbolism that turns a yellow submarine into a <\/span><a href=\"https:\/\/en.wikipedia.org\/wiki\/Nembutal\"><span style=\"font-weight: 400\">Nembutal<\/span><\/a><span style=\"font-weight: 400\">\u00a0or a banana\u2014it is just a yellow submarine, dammit!\u201d\u00a0<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li><b>4.) The Political Statement Philosophy<\/b><span style=\"font-weight: 400\"> \u2013 Because a submarine is, as Robert Rodriguez has aptly pointed out, &#8220;a piece of military equipment,&#8221;<\/span><span style=\"font-weight: 400\">\u00a0(9) it was only moments after the song\u2019s release that radicals began applauding The Beatles for the strong anti-Vietnam statement espoused in &#8220;Yellow Submarine.&#8221;\u00a0<\/span><span style=\"font-weight: 400\">In fact, one imaginative reviewer<\/span> <span style=\"font-weight: 400\">wrote: &#8220;The Yellow Submarine may suggest, in the context of The Beatles\u2019 anti-Vietnam War statement in Tokyo this year, that the society over which <\/span><span style=\"font-weight: 400\">Old Glory<\/span><span style=\"font-weight: 400\">\u00a0floats is as isolated and morally irresponsible as a nuclear submarine.\u201d (10)<\/span><span style=\"font-weight: 400\"> Jumping on the bandwagon in droves, various 1966-1967 protest groups embraced &#8220;Yellow Submarine&#8221; as their anti-war anthem. But none of The Beatles seconded this notion or gave it credence.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">Naturally, there are other wild-eyed theories out there, some as far-fetched as the notion that the song proves John Lennon\u2019s obsession with phallic-symbols (echoed by John\u2019s submarine bath scene in <\/span><i><span style=\"font-weight: 400\">A Hard Day\u2019s Night<\/span><\/i><span style=\"font-weight: 400\">). But since John had nothing to do with the writing of &#8220;Yellow Submarine,&#8221; this argument rather collapses under its own weight, doesn\u2019t it?<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">So\u2026what say you? Which theory do you believe? Paul proclaimed, &#8220;I knew &#8216;Yellow Submarine&#8217; would get connotations, but it <\/span><i><span style=\"font-weight: 400\">really was <\/span><\/i><span style=\"font-weight: 400\">a children\u2019s song.&#8221; (11)<\/span><span style=\"font-weight: 400\">\u00a0Or was it? Send us your thoughts, opinions, and ideas, and we\u2019ll share them with one another. Furthermore, if you have a theory we haven\u2019t discussed, send that along as well! We\u2019d love to hear from you!<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">The measure of a great work of literature is that decades after its creation, the work\u2019s depth of meaning is still being debated and discussed. Paul might have set out to create a unpretentious, light-hearted song, but for The Beatles, a masterpiece was always the final destination. And so it is here as well. \u00a0\u00a0<\/span><\/p>\n<hr \/>\n<p>1.\u00a0<span style=\"font-weight: 400\">The Beatles, <\/span><i><span style=\"font-weight: 400\">The Anthology<\/span><\/i><span style=\"font-weight: 400\">, 114. <\/span><br \/>\n2.\u00a0<span style=\"font-weight: 400\">Turner, <\/span><i><span style=\"font-weight: 400\">A Hard Day\u2019s Write<\/span><\/i><span style=\"font-weight: 400\">, 198, and Riley, <\/span><i><span style=\"font-weight: 400\">Tell Me Why,<\/span><\/i><span style=\"font-weight: 400\"> 187.<\/span><br \/>\n3.\u00a0<span style=\"font-weight: 400\">Riley<\/span><i><span style=\"font-weight: 400\">, Tell Me Why<\/span><\/i><span style=\"font-weight: 400\">, 188.<\/span><br \/>\n4.\u00a0<span style=\"font-weight: 400\">Turner, 108. <\/span><br \/>\n5.\u00a0<span style=\"font-weight: 400\">Miles, <\/span><i><span style=\"font-weight: 400\">Many Years from Now<\/span><\/i><span style=\"font-weight: 400\">, 286-287.<\/span><br \/>\n6.\u00a0<span style=\"font-weight: 400\">Turner, 108.<\/span><br \/>\n7.\u00a0<span style=\"font-weight: 400\">Turner, 108. <\/span><br \/>\n8. Turner, 109.<br \/>\n9.\u00a0<span style=\"font-weight: 400\">Rodriguez, Robert, <\/span><i><span style=\"font-weight: 400\">Revolver: How The Beatles Re-Imagined Rock\u2019n\u2019Roll<\/span><\/i><span style=\"font-weight: 400\">, 140.<\/span><br \/>\n10. <span style=\"font-weight: 400\">Doggett, Peter, <\/span><a href=\"http:\/\/books.google.com\/books?id=rnqmOqcK4TYC&amp;pg=PT107#v=onepage&amp;q&amp;f=false\"><i><span style=\"font-weight: 400\">There&#8217;s a Riot Going On: Revolutionaries, Rock Stars, and the Rise and Fall of the &#8217;60s<\/span><\/i><\/a><span style=\"font-weight: 400\">,<\/span><span style=\"font-weight: 400\"> 107\u2013108.<\/span>\u00a0<span style=\"font-weight: 400\">\u00a0<\/span><br \/>\n11. Turner, 109<\/p>\n<hr \/>\n<p><em>Jude Southerland Kessler is the author of the John Lennon Series:\u00a0<a href=\"http:\/\/www.johnlennonseries.com\" target=\"_blank\">www.johnlennonseries.com<\/a><\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><em>Jude is represented by 910 Public Relations &#8212;\u00a0<a href=\"https:\/\/twitter.com\/910PubRel\" target=\"_blank\">@910PubRel<\/a>\u00a0on Twitter and\u00a0<a href=\"https:\/\/www.facebook.com\/910pr?_rdr\" target=\"_blank\">910 Public Relations<\/a>\u00a0on Facebook.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Beatles were very lenient with the public\u2019s interpretations of their songs. &nbsp; In fact, only one or two times did the lads insist that the public\u2019s comments about their lyrics was &#8220;dead wrong.&#8221; Toward the end of his life, [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":6762,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14],"tags":[98,111,117,30,121],"class_list":["post-6761","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-baby-boomer-beatles-blog","tag-jude-southerland-kessler","tag-revolver","tag-the-beatles","tag-the-fest-for-beatles-fans","tag-yellow-submarine"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.thefest.com\/?rest_route=\/wp\/v2\/posts\/6761","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thefest.com\/?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thefest.com\/?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thefest.com\/?rest_route=\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thefest.com\/?rest_route=%2Fwp%2Fv2%2Fcomments&post=6761"}],"version-history":[{"count":1,"href":"https:\/\/www.thefest.com\/?rest_route=\/wp\/v2\/posts\/6761\/revisions"}],"predecessor-version":[{"id":6763,"href":"https:\/\/www.thefest.com\/?rest_route=\/wp\/v2\/posts\/6761\/revisions\/6763"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thefest.com\/?rest_route=\/wp\/v2\/media\/6762"}],"wp:attachment":[{"href":"https:\/\/www.thefest.com\/?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6761"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thefest.com\/?rest_route=%2Fwp%2Fv2%2Fcategories&post=6761"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thefest.com\/?rest_route=%2Fwp%2Fv2%2Ftags&post=6761"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}