{"id":3643,"date":"2014-08-06T17:21:41","date_gmt":"2014-08-06T22:21:41","guid":{"rendered":"http:\/\/www.thefest.com\/?p=3643"},"modified":"2014-08-06T17:58:03","modified_gmt":"2014-08-06T22:58:03","slug":"paul-mccartneys-variance-versatility-on-the-help-lp","status":"publish","type":"post","link":"https:\/\/www.thefest.com\/paul-mccartneys-variance-versatility-on-the-help-lp\/","title":{"rendered":"Paul McCartney’s variance & versatility during the ‘Help’ sessions"},"content":{"rendered":"

Throughout his career, Paul McCartney has shown himself to be a bit of a chameleon, with his musical style bouncing all over the place from the mid-60s to the present.
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\nWhile with the Beatles, you can point to the absurd differences between a song like ‘Helter Skelter’ and ‘Honey Pie,’ both of which appear on The Beatles (The White Album).
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\nDuring his solo career, McCartney has gone from light to heavy to experimental (‘Temporary Secretary,’ etc) to classical and circled all the way back to his roots while putting a ‘NEW’ spin on things.
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\nOne of the best early examples of McCartney’s versatility can be found on three songs he recorded during the ‘Help’ sessions.
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\n‘I’m Down,’ ‘I’ve Just Seen A Face,’ and ‘Yesterday’ were all recorded on the same day in June of 1965.
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\n‘I’m Down’ is a classic McCartney rocker, which the Beatles began using to wrap up most of their live shows.
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\n‘I’ve Just Seen A Face’ is a bluesy\/country\/folk-pop song that features a tempo unlike anything the group had done prior.
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\n‘Yesterday,’ now viewed as an absolute classic, featured two contrasting sections and a string quartet.
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\nBelow, listen to alternate\/live versions of each song >>
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